Details On Mcquarrie Art Cloud

August 2nd, 2010 Starwars Pictures Tags: , , ,

I am 67 years old and have seen lots of movies over the years. I don’t consider myself a “prude”, but as long as movies like this one are made the public will buy them and that is a crying shame. It makes a horrible example to young people and older people as well because the language is horrible (and to my way of thinking is not necessary).

To my way of thinking also, it was a ridiculous movie.


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4 Responses to “Details On Mcquarrie Art Cloud”

  • Mulder [ 02Aug10]

    I started to watch this on Netflix and had to turn it off after a half hour. Tedious, pretentious and pointless. Avoid.

     
  • Balderama [ 02Aug10]

    If you love early George Arliss films (EARLY George Arliss films), you’ll love Guy Maddin’s works. He revels in chemical fades, Vitaphone surface noise and the limits of Orthochrome – even though his films are in a sort-of hand-tinted-postcard-color. His is a dry wit-like nitrate stock turning to powder…

     
  • Ebner [ 03Aug10]

    This was the movie that introduced me to Guy Maddin. Guy Maddin is an acquired taste, like David Lynch or Alejandro Jodorowsky. I feel I have to defend the director from anyone who watches a film of his and can’t be it because it is “weird”. It is supposed to be that way. He makes movies in a futuristic Victorian way. I don’t think he will ever have a large audience because of this. But I love his work, like I love Lynch or Jodorowsky. It’s surreal, it’s filmed like it’s a film from the early 1900’s, either in sepia, black and white or colored in sort of color.

    Careful, is a pseudo-Victorian tale about, well, being careful, which means being repressed. Maddin takes the modern way of looking at things and adds them into this sort of moral tale. It’s well acted, the colors are beautiful, I remember the color in the scene where they are riding across the sky very well done.

    I would say if you only like normal films, like action and typical romantic comedies, you should probably steer clear of anything Maddin does. But if you like challenging film, you should watch this at least a few times. LEt it sink in. I feel Guy Maddin is a genius and one of my favorite directors, but I also love Rasputina and League of Extraordinary Gentlemen, which have the same steampunk sensibilities.

     
  • Lopez [ 03Aug10]

    Easily one of the most distinctive and remarkable talents of the past two decades is the criminally little known Guy Maddin, a man obsessed with silent movies, early talkies, black and white images, twisted early memories and much more. He’s made a string of utterly original films, ranging from operatic shorts that use Russian silent cinema as a touchstone to pseudo-documentaries about his own childhood. You simply can’t go wrong with this guy if you’re any sort of film buff. The Guy Maddin Collection ($34.99; Zeitgeist) contains two films — Twilight of the Ice Nymphs and Archangel — and that brilliant short, The Heart Of The World.) His most recent film My Winnipeg (2008) reenacts supposed scenes from his childhood like a fever dream. Dracula: Pages From A Virgin’s Diary ($29.99; Zeitgeist) takes the Royal Winnipeg Ballet’s production of the classic horror novel down the rabbit hole. I haven’t mentioned several gems but perhaps the best introduction is Careful ($29.99; Zeitgeist) a “remastered and repressed” new edition of this movie about a village in the mountains in the 1800s. Everyone — men, women, children and even creatures — have to be utterly quiet for fear of starting an avalanche. With this absurd premise, Maddin revels in silent film techniques, beautiful tinting and sexual frenzy barely tamped down by society. It’s devilishly clever and absorbing and comes with loads of extras like a new commentary by Maddin, a 1997 documentary about his career narrated by Tom Waits, a short film and more. Essential viewing.

     
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