The paintings of cloud city and the Probe droid are among my all time favorie McQuarrie works.
There are great concept pics.
And with Empire as the general concensus for “favorite movie” it stands to reason this would be among folks favorite art collections.
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Forward by Doug Chiang. This volume (48 pages) contains an excerpt from the book written by Jonathan Bresman. It also contains concept sketches, storyboards and full color illustrations by various artists, among them Doug Chiang, depicting scenes and characters from the movie Episode I: The Phantom Menace.
From the preface: ” This book offers a behind-the-scenes look at the lengths the art department went in its construction of George Lukas’ universe. The evolutionary stages for each major character, vehicle, and planet are displayed so that the reader can get a sense of how the film was painstakingly sculpted, and finally, how a new style of filmmaking was founded.”
This excerpt focuses on how sketches combine and evolve in the development of ideas into the final concepts for characters and other elements in the film.
Staple bound. A Del Ray Book; Ballantine Publishing Group.
Probably the best one in the Star Wars Art series, it shows a great amount of the concept art of what became the look of an entirely “new” Star Wars galaxy.
Forget the technological look of the original trilogy. The lavish look of the planets shown in the new movies started at this point. It was a more spectacular age for the galaxy and the paintings show it.
While it is certainly not McQuarrie, Chiang and the other artists do justice to his legacy.
Only the art of the original Star Wars can be compared to the scope and breadth of the art displayed in this book. After all, the other four episodes built upon what was already created for the Phantom Menace and a New Hope.
A must have for any Star Wars and fantasy art enthusiast.
I would never have thought that I would stoop so low in nerd-dom and buy a book like this, but there is more to being a nerd than simply obsessing over your favorite fantasies.
I love Star Wars, hate the Phantom Menace. And yet way back when the VHS release was going on, I too crowded into a Media Play at 12 in the morning with my buddy and his wife to get my advanced Widescreen Collector’s copy. DVD has since come and taken away any significance to that item, but what did come along with it was a little booklet featuring excerpts from “The Art of Star Wars; Episode I.” For a long time this little booklet and I rarely parted, and I thought I was so priviledged to have this particular booklet and that it would one day be a rarity.
Imagine my surprise when I discovered THIS book, the actual Art of Star Wars. Not only does it have everything in my booklet, but it presents conceptual art from all corners of the movie. There’s so much to look at, and so much that is fascinating to look at, you can’t help spend hours just looking.
The book is hard-bound, with pages made from such high-quality paper, it will make you turn them with tweezers, they feel so expensive. The art is presented in chronological order with the film, so that reading it cover-to-cover is almost like watching the film. For most of the artwork, a little background information is provided in the corner next to a numerical key denoting which works belong to which artists.
As for the quality of reproduction; I am rarely satisfied when something I’ve drawn is scanned onto a color-copier, which often is the best option for reproducing them. I still lose something in the translation from pad to paper, a little bit of hue here, some shading here, depth of line there. However, in this book there is nothing lost. (Nothing is lost, or the originals must be stunning to look at!) The artwork shows you just why the movie relies so much on visuals (and not on strength of character or plot). Artists Doug Chiang, Ian McCaig, and Terry Whitlatch to name a few, are so skilled at vividness, their works immediately juice your imagination into action. Looking at concepts for space-ships, you can almost hear them fly.
The emphasis is on Doug Chiang and Ian McCaig, one a brilliant architectural and mechanical artist, the other a genius at characters and costumes. Whitlatch seems to handle most of the aliens, while gorgeous matte-paintings by Doug Chiang depict, in color, some of the more finalised concepts.
If you are a fan of Star Wars, this book is a must for any in-depth knowledge of how things developed behing the scenes. For film scholars, I would also recommend this book, for the glimpse it provides into the realm of pre-production, especially for you film scholars who have never set foot onto a film studio, or a design office.
For fellow artists, I can only say that these works inspire to improve my technique and work even harder at my art. It’s always the test of an artist when he runs into someone who is superior; does the work make you want to quit art, or make you want to improve? This stuff will make you choose the latter.
Sellers are using this page to sell a book that is actually titled: THE ART OF STAR WARS EPISODE I: an excerpt of the book written by Jonathan Bresman. The ISBN matches this work, which is only 44 pages in length and was given away with the purchase of a VHS version of the Phantom Menace. The way Amazon lists this book can be misleading because they refer to it as the paperback edition in the review which claims it is a massive volume with over 600 illustrations. They are actually referring to another edition of the book… the TRADE PAPERBACK EDITION. This error has caused me a lot of fuss with two of the used book traders here at Amazon. Know that you are not buying the 200+ page oversize work with this webpage.
Nine year old boy claims “It’s the coolest thing ever”. He would never stop playing if I didn’t make him stop. Mom’s only complaint is that the game can only be saved at the end of a level, so I get complaints that his progress is lost when his time to play is up. To allow him to play to the end of the level can take a while. Any violence is cartoonish and not offensive for an older child.